Lumen Print Workshop
Saturday, 28 September, 2019 (10:30 am – 3:30 pm)
The Gathering Place in the Michael Wright Art Gallery
#200-2253 Leigh Square Port Coquitlam, BC
Presented by Phyllis Schwartz. Celebrate Culture Days by participating in a hands-on, family-friendly Lumen Print workshop. Lumen Prints use a camera-less process using photosensitive paper, organic materials, and the sun. Participants will learn to create two unique Lumen Prints, one to keep and one for display.
Mid Main Art
The 9th annual Sunday, June 9, 2019, from 11- 6 p.m. At the elegant HERITAGE HALL, 3102 Main Street, Vancouver, BC V5T 3G7. Featuring Work by Phyllis Schwartz and Edward Peck Showcase and sells original art from emerging and established artists in the greater Vancouver area. This wonderful group of established artists will showcase work from abstraction to realism creating stunning art, in a variety of mediums such as watercolours, acrylic, oil, photography, sculpture, and printmaking. The 17 artists featured this year are; Fran Alexander, Mariko Ando, Enda Bardell, Jodie Blaney, Lorn Curry, Caroline Dahlmanns, Jeanette Jarville, James Koll, Sharka Leigh, Sonia Mocnik, Edward Peck, Phyllis Schwartz, Camille Sleeman, Elisabeth Sommerville, Kathy Traeger, Jeff Wilson and Grazyna Wolski. Free admission. For more information go to www.midmainart.com Register at Eventbrite
Formulation of Time
April 6th through April 30, 2019
4211 No. 3 Road, Richmond, BC
Phyllis Schwartz and Edward Peck use plant-based materials to create works of art that speak to issues of permanence and impermanence that challenge the viewer to contemplate time, form, and the ephemeral.
Phyllis Schwartz uses hybrid camera-less process to create photograms that leaves traces and shadows on photosensitive surfaces. Plant enzymes and atmospheric conditions interact with creating alchemical results on the surface of the paper and sheet film, leaving X-ray like marks of shapes and interiors. These Lumen Prints are primal hovering on the cusp of poetry.
Edward Peck’s series, Arrangements, addresses the transitional processes found in nature and our esthetic manipulation of natural objects through the discarded floral arrangement. The moment we perceive beauty fades, the beauty is not lost what follows has its own striking beauty and relationship to the natural cycles around us. His hybrid photograph processed images work with the symbolism of flower arrangements exploring the beauty that extends beyond their symbolic use.
Photography without Cameras Lumen Printing
Saturday April 13th, 2019 11am- 3pm Lipont Place, 4211 No. 3 Road, Richmond, BC
The workshop is participating in the 2019 Capture Photography Festival and is supported by London Drugs Printing Grant. In this workshop, the lumenprint (photograms made without a camera) image making process will be explained and demonstrated. Phyllis Schwartz explains, “In this hands-on workshop, participants will make photograms of plant materials, and discover how they leave marks and traces on photosensitive paper; the work will look like colourful x-rays.” There will be an opportunity to participate in the entire process beginning with gathering materials, composing two images and developing two prints (8 x 10 inches). The workshop extends the concept of analogue photography as the pencil of nature. Schwartz rediscovered this process while studying the Victorian botanists who sought a method of documenting their fieldwork. Lumen Prints are both photographic and x-ray like, producing both documentation of nature and artistic renderings of botanical specimens.Phyllis Schwartz is a multi-disciplinary artist who works in photography, ceramics and publishing based in Vancouver, Canada. Her work at Emily Carr University consolidated these interests with a concentration in photography. She was the recipient of the Canon Photography Award. As a visual artist, she seeks detail, texture, and poetic elements. She uses photography to investigate and record what eludes the eye. Her photography has been exhibited and published across Canada and internationally; her works are in both public and private collections.
March 22 - May 4, 2019
Opening Reception: Thursday, March 22, 7- 9 pm
CityScape Community ArtSpace335 Lonsdale, North VancouverNatural Alchemy contemplates the forces and cycles present that help shape our environment. The earth is ever-changing, and the work in this exhibition documents the intersection where natural materials meet, how they affect each other, and how they can challenge the viewer to contemplate time, form and the ephemeral. Presenting artists Katherine Duclos, Pierre Leichner, Edward Peck, and Phyllis Schwartz incorporate organic and plant-based materials, as well as natural processes to help shape the outcomes of their compositions. Through painting, printmaking, installation and photography this exhibition highlights the beauty, connectivity and impermanence of the biosphere and geosphere, helping us to understand how growth, decay, and geological processes play a vital role in shaping our environment.
Art Rental Exhibition 2019
Exhibition runs 14 February – 15 March
Excellent opportunity to buy or rent our art Eight Sassamatt Collective photographs are in the North Van Art Rentals collection, three by Phyllis Schwartz and five by Edward Peck. The two most recent acquisitions will be on show in the Art Rentals Show, a salon-style exhibition. The exhibition runs 14 February – 15 March (Cityscapes, 355 Lonsdale, North Vancouver). Work on show is available for rent or sale. This is an excellent opportunity to buy more art and get into the spirit of Valentine’s Day. Longevity, new work by Phyllis Schwartz, is a selection from a series of Lumen Prints made at Finn Slough. Seeding the Wind, new work by Edward Peck is a selection from Arrangements, a series of images that captures flowers as they transition from bud to bloom to death. To view, the Arts Councils Announcement click here
Photography without Cameras
Lumen Printing demo with Phyllis Schwartz
Saturday, March 2, 2019 (1- 4pm)
CityScape Community ArtSpace
335 Lonsdale, North Vancouver
Drop by CityScape Community ArtSpace during the North Shore Art Crawl for a fascinating opportunity to watch Phyllis Schwartz demonstrate the lumen printing process. Lumen prints are photograms made without a camera. In this demonstration, Phyllis will make photograms of plant materials, and show how they leave marks and traces on photosensitive paper. LumenPrint Demonstration Details
Seeding the Wind II, At Truth and Beauty Gallery
This month, October 2018 "Seeding the Wind II" is featured at the Truth and Beauty Gallery, this 24" by 30" archival sublimation print is available for sale through the gallery. Enquires can be directed to Peppa Martin at 604.707.0327 or firstname.lastname@example.org. This is the first print in this series to be mounted on a floating frame, it is part of a series called "Arrangements." I was drawn into this work by discarded bouquets, set aside as they wilted but to my eye still full of colour, shape and still in transition, perhaps always in transition as decay eventually rekindles life. I took these discards and after some contemplation, arranged them into compositions, in which I explored their new colours, shapes and fragile state. So the series in a way is a framing of a series of Maranasati meditations or a momento moris. [This method of printing was chosen so no glass would be placed between the print and the viewer so the full colours of the composition could be enjoyed, it is an easily cleaned scratch-resistant surface that has an archive life (I have been told) longer than a chromogenic print.]
Mid Main Art
One Day Event, June 10, 2018, 11am - 6pm
The 8th Annual Mid Main Art Exhibition will be held at Heritage Hall, 3102 Main Street, Vancouver BC. This free event will be held one day only from 11 am to 6 pm on June 10th, 2018. There will be a variety of artist in this 3300 sq. foot hall who work in watercolour, oil, acrylic, photography, printmaking and sculpture. The following artists will be in attendance: Fran Alexander, Mariko Ando, Enda Bardell, Jennifer Harwood, Lorn Curry, Dave Denson, Louise Nicolson, Christine Hood, Jeanette Jarville, James Koll, Sonia Mocnik, Edward Peck, Camille Sleeman, Elisabeth Sommerville, Kathy Traeger, Jeff Wilson, Grazyna Wolski.
In the Blink of an Eye
Opening Reception Thursday, May 3, 6-8 pm May 3 – 31, 2018
Port Moody Arts Centre Society celebrates their 20th anniversary with In the Blink of an Eye, an exhibition featuring artwork and stories by artists who have been a part of their history. Sassamatt Collective artists, Edward Peck and Phyllis Schwartz, have had solo exhibitions at the Port Moody Arts Centre are each showing two new photographs in this anniversary exhibition opening 03 May (6 – 8 PM) and continuing through 31 May 2018.
Photobase: Re-imagined Memories
Opening Reception, March 15, 2018 Mar 16 – Apr 21, 2018
Two photo-based composite images are showing in Photobase: Re-imagined Memories, an exhibition of 25 diverse and inclusive artists who tell intimate stories of love, loss, family history, immigration, addiction and identity. Photobase is featured in this year’s Capture Photography Festival. Both of these prints are compositions that construct the identity of family members through documents and photographs.
Photobase is showing at CityScape Community Art Space, The exhibition runs from thru 21 April (335 Lonsdale Avenue, North Vancouver, Canada; gallery Hours: M–W, F: 9 am–5 pm: Th: 9 am–8 pm; Sa: 12–5 pm).
Lumen Print Exhibition Light
Opening Reception, Saturday March 10, 2018. March 6 – April 21,
Two Lumen Prints from the Finn Slough Series will be on show in an exhibition of handcrafted prints by photographers working in the tradition of light sensitive creative processes. The selected works, according to juror scott b. davis, "...range from abstract images that defy our expectations of photography to others that affirm our belief in the medium's inherent specificity." The exhibition at Art Intersection runs from 06 March thru 21 April (light sensitive creative processes. The selected works, according to juror scott b. davis, "...range from abstract images that defy our expectations of photography to others that affirm our belief in the medium's inherent specificity." The exhibition at Art Intersection runs from 06 March thru 21 April (Art Intersection, 207 North Gilbert Road, Gilbert Arizona). LightSensitive Opening Reception is Saturday, 10 March, 5 – 7 pm).Opening Reception is Saturday, 10 March, 5 – 7 pm).
LUMENS: experimental photography
Johnson City, Texas, 11 March - 16 May, 2018
A feast of lumen prints are showcased in the newly opened Salon at A Smith Gallery in Johnson City, Texas. Lumen, an exhibition showcasing this feast of alternative photography, includes Cathy’s Orchid, a digital print made from a handmade negative created by using a Lumen Print process. The exhibition dates are 11 March to 16 May. Two receptions will be held: 25 March and 30 April (4 – 7 pm). An exhibition catalogue available from Blurb is forthcoming.
Lumen prints are photograms made by a contact print process using organic materials that leave traces and shadows on photosensitive surfaces. These unique prints are made without a camera or darkroom enlarger. These materials transmit enzymes that interact with the surface of the paper, leaving X-rays like marks of both their shapes and interiors. Lumen prints on sheet film can be scanned and processed as digital prints. Artists experimenting with this process include Jerry Burchfield, Adam Fuss and the artists showing work in Lumen.
Intervals: Photography in Flux
Intervals: Photography in Flux, Capture Photography Exhibition 2016, March 31st - April 9th, 2016 South Main Gallery SoMa, 279 East 6th Avenue Vancouver, BC Canada This exhibition is part of the international Capture Photography Exhibition and is about the transitory nature of photography. Every image, depending on time, location, viewer, and context, is constantly in transition. Photographers create meaning that fluctuates in the intervals between their images—whether it be the intervals between the shutter opening and closing, the intervals between the images on the wall, the interval between the image and the material on which it is presented, or the interval between the meaning that arises and changes in the viewer as they move between images. Intervals presents the work of seven contemporary photographers based in Vancouver, Victoria, Los Angeles, Honolulu, and Iran who explore the rhythms and tension of their geographical, social, and psychological landscapes.
November 7th - December 19th
555 Columbia, Vancouver, BC
The work of nine Vancouver artists telling stories in a variety of media pushing the boundaries of their artistic medium.
Urban and environmental issues are the predominant themes running through the stories in this exhibition. Alison Keenan uses scale to tell visual stories about the territorial clash between avian and human creatures. Edward Peck’s photographs of Berlin graffiti's on-going stories in the urban streetscape. Phyllis Schwartz's Salton Sea series pictures of surreal environmental devastation.
Daphne Harwood uses the quilting medium to document urban transformation where once stood Imagination Market on the north shore of False Creek. Sophi Liang installs a ladder which holds traditional books to deconstruct traditional Chinese cultural values transplanted in a new cultural landscape. Colette Lisoway’s multi-screen prints build up a new image of a multicultural society in a rapidly changing community.
June Yun’s paintings might look like misty Chinese countryside landscapes, but they are in fact stories of pollution that causes a nuclear winter. The tension in Jim Friesen’s stormy skies tell stories about the cycle of tension and release, a metaphor for many of the issues presented in the stories in this exhibition.
Impressions and Abstractions
Phyllis Schwartz & Edward Peck 13.
Sassamatt Images präsentiert die Europapremiere neuer Werke von Phyllis Schwartz und Edward Peck. Diese beiden kanadischen Künstler arbeiten vor allem im Bereich der experimentellen Fotografie. Schwartz ist eine von wenigen Künstlerinnen & Künstlern, die mit dem Lumen Print-Verfahren arbeiten. Diese Hybriddrucke werden durch direkte Kontakte mit lichtempfindlichen Oberflächen hergestellt und anschließend digitalisiert. Auf seine Erfahrungen in verschiedenen künstlerischen Disziplinen aufbauend kreiert Peck abstrakte Kunstwerke mit mehrfach belichteten Fotografien und einem Hybrid digitaler Entwicklungsprozesse.
Shelter Island Series
Truth and Beauty Gallery
698 West 16th Avenue
May 1-16, 2014
This is a solo show of Edward Peck's Shelter Island Series, a show of abstract work.
While each print in the Shelter Island Series stands on its own as a landscape or narrative, its power is in the collection of images drawn from material sources that are in various states of organic decomposition. Peck finds forms and surfaces that are alive in their process of transformation, and brings to the viewer’s attention a new appreciation for the material aging process. The intentional ambiguity of his images allows the viewer to form their own personal narrative.
The Tree: Literal and Figurative
January 11th to Mar 31st, 2014
555 Columbia, Vancouver, BC
Curated by Alison Keenan and Phyllis Schwartz. Eight international artists, each working in a different media have work that will surely evoke myriad myths and memories about the tree. Exhibiting artists include Ellen Bang, Chu Yin Tak, Pauline Doyle, Alison Keenan, Edward Peck, Anna Ruth, Connie Sabo and Phyllis Schwartz. Exhibition dates: 11 January – 16 February 2014
Poetic Abstractions: Seven Visions
Place des Arts, Atrium Gallery
1120 Burnette Ave.
There are 39 images from seven artists: Goga Bayat, who created her pieces in her native Iran; Robert Charles; Barry Luger, president of Artists in Our Midst; Rob Will; Eva Knell; and co-curators Peck and Schwartz.
Best B4 Collective Collaboration
Phyllis Schwartz has worked collaboratively to curate exhibitions with Best B4 Collective: Street Dance: A Record of Anonymous Performances (CityScapes, North Vancouver) and The Tree: Literal and Figurative (On-Tak Cheung Gallery, Vancouver).Best B4 Collective CollaborationPhyllis Schwartz has worked collaboratively to curate exhibitions with Best B4 Collective: Street Dance: A Record of Anonymous Performances (CityScapes, North Vancouver) and The Tree: Literal and Figurative (On-Tak Cheung Gallery, Vancouver).