Phyllis Schwartz's Blog
Thu, 16 Jan 2020 00:18:04 +0000Time to Fall in Love with ArtLongevity
Eleven Sassamatt Collective photographs are in the North Van Art Rentals collection, five by Phyllis Schwartz and six by Edward Peck. The two most recent acquisitions and one classic will be on show in Art Rentals Show, a salon-style exhibition of 200 new works. The exhibition runs 16 January – 15 February (Cityscapes, 355 Lonsdale, North Vancouver). Work on show is available for rent or sale. This is an excellent opportunity to buy more art and think ahead to Valentine’s Day.
Longevity, a recent work by Phyllis Schwartz, is a selection from a series of Lumen Prints made at Finn Slough. Deep Confusion and Mingus’ Summertime, new works by Edward Peck are selections from Arrangements, a series of images that capture flowers as they transition from bud to bloom to death.
17 January-15 February
Cityscape Community ArtSpace
335 Lonsdale Ave, North Vancouver
Sat, 04 Jan 2020 09:17:08 +0000MORE COLLABORATIVE ALCHEMYAutumn Dance (dye sublimation print on aluminum made from a handmade negative/lumen print process)
Collaborative Alchemy — plant-based visual arts continues its Lower Mainland tour. Opening 10 January 2020 at Place des Arts in Coquitlam, featuring new plant-based works by Pierre Leichner, Edward Peck, and Phyllis Schwartz.
Pierre Leichner, Edward Peck, and Phyllis Schwartz are artists whose practice contemplates the full cycle of natural growth and transitions that are in an ever-changing state. They use plant-based materials to create works of art that reflect states of permanence and impermanence. They are choreographers and arrangers who have manipulated natural materials into compositions that challenge the viewer to contemplate time, form and the ephemeral.
On exhibit are Phyllis Schwartz’ hybrid prints made by a contact printing process that leaves traces and shadows on photosensitive surfaces. Her lumen prints engage viewers on a primal level to look again and to make their own meaning from ambiguity.
Pierre Leichner uses plant roots and moulds in an exploration of our relationship with nature and the beauty of the life cycle. In Pierre’s work, the roots of plants become sculptural forms.
Edward Peck’s photography addresses the symbolism of flower arrangements and the transformation of meaning when they are discarded. He explores the beauty that extends beyond our utilitarian use of these obsolete floral arrangements.
Collaborative Alchemy — plant-based visual arts
January 10 – 06 February 2020
Works by Edward Peck, Phyllis Schwartz, and Pierre Leichner
Opening Reception: Friday, 10 January (7 – 9 PM)
Place des Arts in the Atrium Gallery
1120 Brunette Avenue, Coquitlam, BC.
Regular Gallery Hours: Mon-Fri 9 am – 9 pm; Sat. 9 am – 5 pm, Sun 1 pm – 5 pm
For INFO: 604 664 11636 | http://placedesarts.ca
Mon, 21 Oct 2019 07:20:55 +0000COLLABORATIVE ALCHEMY
Phyllis Schwartz, Pierre Leichner and Edward Peck are artists whose practice contemplates the full cycle of natural growth and transitions that are in an ever-changing state. They use plant-based materials to create works of art that speak to issues of permanence and impermanence. They are choreographers and arrangers who have manipulated natural materials into compositions that challenge the viewer to contemplate time, form, and the ephemeral.
The Amelia Douglas Gallery is presenting their interactive exhibition of plant-based 2D and 3D visual art invites viewers to contemplate ephemerality, change and transition in the ever-changing natural world. Phyllis Schwartz exhibits plant-based lumen prints, and Edward Peck exhibits two-dimensional high- resolution plant-based abstract compositions. Pierre Leichner has installed his Root Laboratory. This includes a growing area, documentation space, display and drying areas. This installation strives to create a space of collaborative alchemy and experimentation with plants that will grow into sculptural forms during the course of the exhibition. It is designed to immerse the viewer inside the work and reveal the beauty of the process from emergence to decay
November 1 – December 14, 2019
Opening Reception: Friday, November 1, 4:30 – 7:30 pm
Artists’ Talk: Tuesday, November 5, 6:30 – 7:30 pm
Amelia Douglas Gallery: Fourth Floor North, Douglas College
700 Royal Avenue, New Westminster
Monday- Friday: 10am – 7:30pm
Saturday: 11am – 4pm
Fri, 16 Aug 2019 04:00:19 +0000LUMEN PRINT WORKSHOP — photography without cameras
Saturday, 28 September (10:30 am – 3:30 pm)
The Gathering Place in the Michael Wright Art GalleryFinn Slough — Ancient Memory (Lumen Print: unique camera-less photogram)
#200-2253 Leigh Square
Port Coquitlam, BC
Presented by Phyllis Schwartz. Celebrate Culture Days by participating in a hands-on, family-friendly Lumen Print workshop. Lumen Prints use a camera-less process using photosensitive paper, organic materials, and the sun. Participants will learn to create two unique Lumen Prints, one to keep and one for display. Registration is required for this free workshop as space is limited and spaces are filling quickly.
Register online at http://www.experienceit.ca using course code #37491 or call 604-927-7529.
Sat, 03 Aug 2019 06:56:34 +0000Permanent ImpermanenceBent (Edward Peck), Finn Slough: Ancient Memory (Phyllis Schwartz), Finn Slough Graffiti (Phyllis Schwartz), Grassroots Worker #2 (Pierre Leichner)
The Outlet Gallery at Leigh Square presents Collaborative Alchemy, an exhibition of Lumen Prints by Phyllis Schwartz, scanographs by Edward Peck and wheatgrass sculpture by Pierre Leichner. We are artists who contemplate the full cycle of natural growth and transitions that are in an ever-changing state. We use plant-based materials to create artwork that speaks to issues of permanence and impermanence. We are choreographers and arrangers who manipulate natural materials into compositions that challenge viewers to contemplate time, form, and the ephemeral. This installation strives to create a space of collaborative alchemy and experimentation with plants that will grow into sculptural forms during the course of the exhibition. It is designed to immerse the viewer inside the work and reveal the beauty of the process from emergence to decay.
Opening Reception — Thursday, 08 August (5 – 7 pm) at the Outlet Gallery (#110 – 2248 McAllister Avenue, Port Coquitlam). Exhibition runs thru 29 October 2019.
Lumen Print Workshop — Saturday, 28 September (10:30 am – 3:30 pm) presented by Phyllis Schwartz. Celebrate Culture Days by participating in a hands-on, family-friendly Lumen Print workshop. Lumen Prints use a camera-less process using photosensitive paper, organic materials, and the sun. Participants will learn to create two unique Lumen Prints, one to keep and one for display. Registration is required for this free workshop as space is limited. Register online at www.experienceit.ca using course code #37491 or call 604-927-7529.
Tue, 21 May 2019 05:07:15 +0000WHAT YOU SEE is WHAT YOU SEE
What You See Is What You See is an on-going series of evocative abstract Procion dye drawings. Using a variety of techniques to make marks on paper, my 2-D forms take both recognizable and ambiguous shapes. I often rely on pareidolia, the psychological phenomenon of recognizing familiar patterns and forms, to guide me to a finished drawing. Frank Stella’s minimalist, abstract paintings inspire the title of this series, but in my work, I seek a sense of more playfulness.
My body of work intended to be playful and engaging. Through my exploration of materials, I hope to inspire questions that will drive viewers into their experimental artistic quests. Seeking to express whimsy, surprise and the opportunity for viewers to bring their own experience to my artwork, I hope my work piques their imagination and perhaps leads them to artmaking.
I maintain an on-going drawing practice using an artist notebook where I explore techniques and materials. These are pages where I experiment and accept the results. Sometimes, they are rehearsals for a project. I regularly contribute sketchbooks to the Brooklyn Art Library, which are on permanent display when they are not on a touring exhibition. Periodic Opus Art Supplies Drawing Challenges inspire many of these drawings. Selections of these drawing have been exhibited in a Small Press Event in the Winchester Gallery (Winchester, UK) curated by Dimitri Pieri and the Port Moody Centre for the arts (Port Moody, British Columbia). I am also the Vancouver Sketchbook Project Coordinator, a collaborative project between the University of British Columbia Community Field Experience Practicum and the Vancouver School Board that promotes daily drawing in elementary school classrooms.
This new work will be showcased and for sale at the NINTH ANNUAL MID MAIN ART FAIR on Sunday, June 9 (11 AM- 6 PM) at HERITAGE HALL, 3102 Main Street, Vancouver, BC.
FREE tickets at Eventbrite FREE ADMISSION
Thu, 02 May 2019 07:16:42 +0000And It Ends with a BookThirteen Arguments (Blurb Publications)
Natural Alchemy, Formulation of Time and Art! Vancouver have come to a close. The works in these exhibitions have continuing plans.
Selected Lumen Prints from Natural Alchemy will be showing in an exhibition opening at Leigh Square in July and a Lumen Print Workshop will be featured in Port Coquitlam’s Culture Days. Selections from Formulation of Time will continue to be on show and for sale at Lipont Place.
The visual dialogue presented in these three exhibitions continues in Thirteen Arguments, a Blurb Publication. Thirteen Arguments is a dialogue between plant-based Lumen Prints made by Phyllis Schwartz and Scanographs of spent botanicals by Edward Peck.
Sat, 20 Apr 2019 06:30:03 +0000Three Exhibitions — closing soon
- Wish You Were Here
- Finn Slough: Ancient Memory
Sassamatt Images are showing at Lipont Art Centre in Richmond, CityScape Community Art Space in North Vancouver and Art! Vancouver during April. All three exhibitions are visual contemplations of the full cycle of natural growth, transitions and regeneration. Like spring flowers, they bloom quickly and yield to summer foliage and salad days. So too, these exhibitions will be closing soon.
Natural Alchemy(CityScape Community Art Space, 335 Lonsdale, North Vancouver) contemplates the forces and cycles present that shape the natural environment. Work in this exhibition documents the intersection where natural materials meet, how they affect each other and challenge the viewer to contemplate time, form and the ephemeral. Closes Saturday, 04 May.
Formulation of Time(Lipont Art Centre, 4211 Number 3 Road, Richmond) displays a poetic inquiry into the fleeting grace in the life cycle of natural flora. The Anthropocene epoch raises questions about what we are seeing, the need to continually look again at the human impact on the ecosystem and the nature of our own impermanence. Closes Tuesday, 30 April.
Art! Vancouveris an exhibition of 500 artists and galleries showing work at the Vancouver Convention Centre. Vancouver Lipont Place present selected works from Sassamatt Images. Check it out 25 – 28 April (Vancouver Convention Centre East, 999 Canada Place).
Sun, 31 Mar 2019 04:21:00 +0000Formulation of Time — photographing the ephemeral
In British Columbia, where vegetation is abundant, the symbolic meaning of plants’ life cycles is ceaselessly reflected in artworks. Lipoint Place (4211 Number 3 Road, Richmond), Formulation of Time is an exhibition that showcases the interpretation of this theme in the experimental photography of Phyllis Schwartz, Edward Peck, Desirée Patterson and Sand Wan.
Phyllis Schwartz and Edward Peck are artists whose practice contemplates the full cycle of natural growth, transitions and regeneration. They use plant-based materials to create photo-based works of art that speak to issues of permanence and impermanence. Their work has the capacity to engage viewers to contemplate ephemerality, change and transition in the ever-changing natural world. Phyllis Schwartz will exhibit plant-based Lumen Prints, and Edward Peck will exhibit high-resolution, plant-based, abstract Scanograms.
Desirée Patterson’s Point De Fusion series depicts natural landscapes and plants that appear to be melting into abstraction. With a high aesthetic value, the series aims to connect viewers by evoking a sense of awe and wonder, with a prophetic underlying current. The title, Point de Fusion, references the melting point of an object at atmospheric pressure; the moment when its physical state changes and it becomes a liquid. As the landscape begins to thaw, the idea of motion is implied in an image that once was still.
Sand Wan’s large-scale, black-and-white Immortality series emphasizes the seemingly tranquil but everchanging forests along the Pacific Northwest coast and Fraser River. With black-and-white photography, which lends timelessness and classic quality to his images, he captures the forests in their prime time and the trees’ last resting place along the coastline where they lie as driftwood.
Saturday April 6, 2019 2-4pm: Public Opening & Book Launch
Exhibition hours: April 6 – 30, 2019 Free admission
– Monday – Friday 10am-5pm, weekends by appointment.
– Also open during Art! Vancouver on the weekend of April 27 – 28, 10am-5pm.
– Closed on Good Friday April 19th.
Lumen Print Workshop by Phyllis Schwartz
Saturday, April 13th, 11am – 3pm (12-1pm beak for lunch)
Registration is required: https://lumenprints.eventbrite.ca
The workshop is participating in the 2019 Capture Photography Festival and supported by London Drugs Printing Grant.
Sat, 16 Mar 2019 06:59:37 +0000Natural Alchemy — contemplating time, form and the ephemeral
Click to view slideshow.
Natural Alchemy — a group show that contemplates the forces and cycles present that help shape our environment — opens Thursday, 21 March at CityScape Community ArtSpace. The work in this exhibition documents the intersection where natural materials meet, how they affect each other, and how they can challenge the viewer to contemplate time, form and the ephemeral.
The paintings, prints, photography and installation in this exhibition highlight the beauty, connectivity and impermanence of the biosphere and geosphere, helping us to understand how growth, decay, and geological processes play a vital role in shaping our environment. Presenting artists Phyllis Schwartz, Edward Peck, Katherine Duclos, Pierre Leichner, and Willloughby Arevalo incorporate organic and plant-based materials, as well as natural processes to help shape the outcomes of their compositions.
Featured in this exhibition are Lumen Prints by Phyllis Schwartz and and Scanograms by Edward Peck. Schwartz makes hybrid camera-less photograms that leave traces and shadows on photosensitive surfaces. Plant enzymes and atmospheric conditions interact with creating alchemical results on the surface of the paper and sheet film, leaving X-ray like marks of shapes and interiors. These Lumen Prints are primal, hovering on the cusp of poetry.
Peck’s series, Arrangements, is drawn from discarded bouquets, set aside as they wilted but to still full of colour, shape and still in transition, perhaps always in transition as decay eventually rekindles life. He took these discards and after some contemplation, arranged them into compositions, in which he explored their new colours, shapes and fragile state. These works were made using a high resolution scanner, producing a series of Maranasati meditations or a momento mori.
March 22 – May 4, 2019
Opening Reception: Thursday, 22 March (7 – 9 PM)
CityScape Community ArtSpace (335 Lonsdale, North Vancouver)