Typically, exhibitions curated by Peck and Schwartz include community through artist talks, salons, educational workshops and exhibition catalogues, which are archived in the National Library of Canada. Peck and Schwartz have worked as independent curators in both Vancouver and Germany. Their exhibitions are listed below.

Intervals: Photography in Flux

Capture Photography Festival, April 2016

This exhibition is part of the international Capture Photography Exhibition and Intervals is about the transitory nature of photography. Every image, depending on time, location, viewer, and context, is constantly in transition. Photographers create meaning that fluctuates in the intervals between their images—whether it be the intervals between the shutter opening and closing, the intervals between the images on the wall, the interval between the image and the material on which it is presented, or the interval between the meaning that arises and changes in the viewer as they move between images. Intervals presents the work of seven contemporary photographers based in Vancouver, Victoria, Los Angeles, Honolulu, and Iran who explore the rhythms and tension of their geographical, social, and psychological landscapes.

Impressions and Abstractions

Die Bedürfnisanstalt, Hamburg, Germany

Poetic Abstractions: Seven Visions

Place des Arts, Port Coquitlam, Phyllis Schwartz and Edward Peck curated this exhibition working with seven visual artists who collaborated as a group to create an exhibition that explored abstraction from multiple perspectives.
Tri-City News Article.
Exhibition Catalogue.
Curatorial Statement

Best B4 Collective Collaboration

Phyllis Schwartz has worked collaboratively to curate exhibitions with Best B4 Collective: Street Dance: A Record of Anonymous Performances (CityScapes, North Vancouver) and The Tree: Literal and Figurative (On-Tak Cheung Gallery, Vancouver).

Best B4 Collective

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